
In ableton live, I had the idea of composing with LFO's by mapping an LFO to a pitch device followed by scale device. After that I mapped various parameters to LFO's so that the overall result is something that is never repeated. The sounds meet each other at random points. The image/soundscape I got in my mind was very clear and so the next day I went on to draw the cover art.. A lake, ducks and Loch Ness.
A friend told me about RPM.
It's great to put your creativity in an order.